August 2008


Well, it’s that time again! I’ve got the last two tours of the year (at least for now) starting in a few days. Needless to say, I’ve very excited to get back out on the road and mix at some great venues again. It’s been a great year of touring, and hopefully, next year is even better!

I’ll be doing front of house for WHY? for the first 5 weeks of this jaunt, and then front of house and tour managing for THE FAMINE for the next 6 or so after that (dates pending).

Here’s a show list for WHY?
^ w/Mount Eerie
* w/Restiform Bodies
@ w/Alias
# w/Tussle & Lets
08-29 – San Francisco, CA – Great American Music Hall #
09-04 – Los Angeles, CA – The Echoplex
09-05 – Tempe, AZ – The Clubhouse
09-06 – Tucson, AZ – Solar Culture
09-08 – Austin, TX – Mohawk^
09-09 – Dallas, TX – Granada Theater^
09-11 – Pensacola, FL – Sluggo’s^
09-12 – Gainesville, FL – Common Grounds^
09-13 – Miami, FL – The White Room^
09-14 – Orlando, FL – The Social^
09-16 – Asheville, NC – Grey Eagle^
09-17 – Philadelphia, PA – First Unitarian Church^
09-18 – New York, NY – Bowery Ballroom^
09-19 – Boston, MA – Museum Of Fine Arts
09-20 – Portland, ME – Space Gallery @
09-21 – Providence, RI – Club Hell
09-22 – Montreal, QC – La Sala Rossa
09-25 – Cincinnati, OH – 5th 3rd bank blackbox Theatre for Midpoint Music Festival
09-26 – Chicago, IL – Bottom Lounge
09-27 – Minneapolis, MN – Triple Rock
09-29 – Denver, CO – Hi-Dive*
09-30 – Salt Lake City, UT – Kilby Court*
09-30 – Salt Lake City, UT – Uraban Lounge (later show)
10-02 – Vancouver, BC – Richard’s On Richard*
10-03 – Seattle, WA – Vera Project*
10-04 – Portland, OR – Wonder Ballroom*

Here’s confirmed dates for The Famine, with more coming soon!
All dates w/ Underoath, Saosin, and The Devil Wears Prada
11-10 – Seattle, WA – The Showbox
11-11 – Portland, OR – Roseland Theatre
11-13 – San Francisco, CA – The Grand Ballroom
11-15 – Irvine, CA – Bren Events Center
11-16 – San Diego, CA – Soma
11-18 – Las Vegas, NV – House of Blues
11-19 – Tempe, AZ – Marquee Theatre
11-20 – Albuquerque, NM – Sunshine Theatre
11-23 – Houston, TX – Verizon Wireless Theatre

We’re hitting some pretty big venues this go-round. Should prove to be a great experience.
I’m really looking forward to the shows at The Granada in Dallas, Bowery Ballroom in NYC, Triple Rock in Minneapolis, and then of course the House of Blues, and Verizon Theatre type venues are always a pleasure to mix.

(Skip this part if you don’t care about nerdy sound stuff…)

I purchased a few goodies in the past few weeks that I’m extremely happy to get to use on these tours.

I got a TC Electronic D2, Drawmer DL241, a whole mess of adapters, and another Radial JDI. I’m running 30 channels for Why? and not much less for The Famine. My rack now consists of a TC Electronic D2 and M1, DBX 266, and the Drawmer DL241. Every night I’ll be running two different Delays (one short, one long), and two different reverbs (again, one short, one long).

So Europe is finished for now!

I’m home for 3 weeks until I head back out with Why? for a 5 week US tour. Even though it’s nice to have some time off the road every once in a while, I’m already itching to get back on the road. I’ve pretty much been touring since May 21st, and it’s not letting up anytime soon! I’ve got August 28th – October 8th with Why?, and then October 14th – November 25th with The Famine! Whew! Busy, busy, busy. I’ll have mixed over 200 shows by the end of the year! It’s a little crazy to think that I’ve mixed shows more than every other day. It sounds like a lot, but my career is still just a fledgling one, and I see next year being even more intense!

The weirdest part is, that I thought I would welcome this break, but I’ve gotten so used to life on the road, that I miss being in a van/airplane/hotel/venue all hours of the day. It’s an addiction. Right now, the withdrawals are just beginning to set in. Give it another week, and I’ll be having cold sweats and shaking! I feel extremely lucky to have met up with the bands I’ve been working with lately. They’re both at the top of their game, and have the highest level of professionalism. I can definitely see a large amount of success for the future of their music careers.